These pieces begin with a dense under-painting of swirls, clumps and lines, which reference roots, veins and the various systems of underlying channels integral to life. This framework serves as infrastructure for subsequent layers of recorded marks in the form of stained fabrics and papers, rubbings, tracings and drawings taken from city surfaces and environments. Along with my intuitive responses to them in paint, the layers of marks merge, interconnect, meld, splinter and discontinue only to begin again as another series of marks. Adding to this narrative are clusters of collaged images and patterns from high-end fashion and interior design magazines, street photographs and found materials, which interact with and contextualize the markings as well as speak to our excessive wants, needs, temptations and desires as a culture. In a continuous process of order and chaos, accrual and removal, concealment and exposure, the layers of paint and material create new narratives, which look through and into time, reminding us of perpetuation, synthesis and regeneration.
Gestures, Inclinations, Intimations no. 12
Gestures, Inclinations, Intimations no. 34
Mind F__k
Between Sleep & Dreams
between Sleep & Dreams (detail 1)
between Sleep & Dreams (detail 2)
Toxic Bloom
how much time do we have?
how much time do we have? (detail)
come early morning
come early morning (detail)
Becoming Pink
Becoming Pink (detail)
at piece?...in peaces
misguided angel (hanging over me)
Misguided Angel (hanging over me), detail
Diamond
Pink Tree Falls
Red Flower Box
plastic purple pinwheel
the field of paper flowers
the field of paper flowers (detail)
Sun Spots
Sun Spots (detail)
when we were still fresh and forming
when we were still fresh and forming (detail 1)
when we were still fresh and forming (detail 2)
27 Images